Psycho Scene Analysis

In this scene, we see Norman watching Marion undress in an act of voyeurism, which supports Laura Mulvey’s ideological views that men like to look at women for visual pleasure. The concept of voyeurism further depicts Norman’s feelings towards Marion and hints at the idea that he is lonely with few opportunities to interact with others. Rather than speak to Marion directly about these feelings, he nervously watches her, as if he is hesitant to talk or see her directly- potentially due to his lack of communication with others. The lighting of the shot is limited and the element of darkness within a tight space plays on the fears of audience members. Again, it signifies the idea that Norman is confined from the real world and trapped by his mother The lighting further emphasises shadows which have been cast over Norman almost entirely, except for the small fragment of light flowing from the hole he is peering in, where Marion’s bedroom is – suggesting Marion still has a large amount of goodness in her despite her actions of stealing the money. Additionally, the small fraction of light on Norman’s face contradicts his darker side and portrays his split personality, and suggests he still has some good nature in him. The lighting effects contrast his actions and looking deeper, this seems to conform to the idea that his worse side has consumed the good and is clouding his judgement, which is why he is watching Marion as she undresses- for if he didn’t have schizophrenia, his actions may be reversed and more pleasant.